Using self-portraiture through casting and various printing, I explore society's perception of the female body as a discarded figure. Referencing Yves Klein's use of female bodies as paintbrushes, I also use anthotypes with flower petals to symbolise purity and fragility. Incorporating my own experiences of objectification, I examine contemporary views on the female body amidst the erratic, capitalist-driven pursuit of false perfection in internet culture
Discarded Figures, 2024
Oil on plaster, Anthotype (using flower petals).